| Description |
xvi, 304 pages : illustrations ; 24 cm. |
| ISBN |
9781138961593 hardback |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction: Experiencing liveness in contemporary performance / Matthew Reason and Anja Mølle Lindelof -- Part 1: Audiencing. Introduction / Matthew Reason and Anja Mølle Lindelof -- Coming (a)live: a prolegomenon to any future research on 'liveness' / Martin Barker -- Orange dogs and memory responses: creativity in spectating and remembering / Katja Hilevaara -- Fandom, liveness and technology at Tori Amos music concerts: examining the movement of meaning within social media use / Lucy Bennett -- Social and online experiences: shaping live listening expectation in classical music / Stephanie E. Pitts -- The meaning of lived experience / Paddy Scannell -- Affect and experience / Matthew Reason -- Shorts. Live art, death threats: the theatrical antagonism of First night / Alexis Soloski -- Attention as a tension: affective experience between performer and audience in the live encounter / Victoria Gray -- Empathy and resonant relationships in performance art / Lynn Lu -- Embodied traces: co-presence, kinaesthesia and bodily inscription / Imogene Newland -- An experience of becoming: Wearing a tail and Alpine walking / Catherine Bagnall -- Sisters academy: radical live intervention into the educational system / Gary Worre Halberg -- One-to-one performance: who's in charge? / Sarah Hogarth and Emma Bramley -- A performatic archive / Kerrie Reading -- Theatre of bone / Rebecca Schneider -- Part 2: Materialising. Introduction / Matthew Reason and Anja Mølle Lindelof -- What is a live event? / Gary Peters -- Improvising music experience: the eternal ex-temporisation of music made live / Steve Tromans -- The place of performance: a critical historiography on the topos of time / Jonah Westerman -- Objectifying liveness: labour, agency and the body in the 11 rooms exhibition / Lisa Newman -- Reconsidering liveness in the age of digital implication / Eirini Nedelkopoulou -- Environmental performance: framing time / Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo -- Shorts. Three performances: a virtual (musical) improvisation / Mathias Maschat and Christopher Williams -- Chronography / Craig Dworkin -- Memory, time and self: a text work based on a conceptual performance / Paul Forte -- Broken magic: the liveness of loudspeakers / Dugal McKinnon -- Managing live audience attention in the age of digital mediation: The good, the god and the guillotine / Martin Blain -- Enlivened serendipity / Allen S. Weiss -- National Theatre Wales's Coriolan/us: a live film / a 'live' film / Mike Pearson -- Machines in queer gardens: performance as mixed surreality / Judd Morrissey and Mark Jeffery -- Afterword: So close and yet so far away: the proxemics of liveness / Philip Auslander. |
| Series |
Routledge advances in theatre and performance studies ; 47.
|
| Library Class |
Theatre A7
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| Subject |
Performing arts -- Social aspects.
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Performing arts -- Psychological aspects.
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Performing arts -- Audiences.
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Music -- Performance.
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| Other Author |
Reason, Matthew, 1975- editor.
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Lindelof, Anja Mølle, 1974- editor.
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