Includes bibliographical references (p. 173-179) and indices.
Contents
Interpretive dramaturgy and social drama: Schubert's "Erster verlust" -- Undisciplined song : scorings of the subject -- Mermaid fancies : Schubert's trout and the 'wish to be woman' -- The Ganymede complex : Schubert's songs and the homoerotic imagination -- Masochism and domesticity in Die schöne Müllerin -- Revenants : masculine thresholds in Schubert, James and Freud.
