| Description |
53 p. ; 30 cm. + 3 CD's. |
| Note |
Ph.D. in Electroacoustic Composition submitted to the Faculty of Arts, Department of Music, University of Glasgow, 2009. |
|
CD. 1: Evolution 1. 1. Breathing space (13'08) -- 2.-6. Extensions/Interventions (17'05): Pluck; Rip; Crunch; Strike; Smash -- 7. Aria for breath and glass and Aria for voice and plastic (8'56) -- CD 2.: Evolution 2. 1. Hold your breath (40'03) -- 2. Sustenance (14'37) -- CD.3.: Evolution 3. 1. Dwelling/In dialogue (17') -- 2. Dwelling/Encounters (18'25) -- 3. Dwelling/In reflection (16'28) |
| Thesis |
Thesis (Ph.D.) -- University of Glasgow, 2009. |
| Bibliography |
Includes bibliographical references (p. 52-53) |
| Contents |
Introduction -- Evolution 1: Voice/voice of objects -- Evolution 2: Voice/recorded object/artefact/presence -- Evolution 3: Voice/body presence -- Conclusion. |
| Note |
Electronic version deposited with Enlighten: Theses, http://theses.gla.ac.uk but not available for viewing due to copyright issues. |
| Library Class |
Thesis TA0792
|
| Subject |
Composition (Music) -- Theses PhD.
|
|
Electronic music -- Theses PhD.
|
|
Performance art -- Theses PhD.
|
| Other Author |
Scrutton, Nichola.
Breathing space.
|
|
Scrutton, Nichola.
Extensions/Interventions.
|
|
Scrutton, Nichola.
Hold your breath.
|
|
Scrutton, Nichola.
Sustenance.
|
|
Scrutton, Nichola.
Dwelling/In dialogue.
|
|
Scrutton, Nichola.
Dwelling/Encounters.
|
|
Scrutton, Nichola.
Dwelling/In reflection.
|
|
